Friday, November 30, 2012
Tuesday, November 27, 2012
M.A. Peers at Rosamund Felsen Gallery, Santa Monica, California
M.A. Peers reviewed in the Los Angeles Times
For the last 500 to 600 years, art and individuality have got on well with each other. The former has fanned the flames of the latter and the latter has expanded the parameters of the former, at least since the Enlightenment.
At Rosamund Felsen Gallery, M.A. Peers throws a monkey wrench into these developments. Both deadpan and curious, sensitive and flat-footed, her paintings make you wonder why we think that art and individuality have anything at all to do with each other.
It isn’t difficult to mistake Peers’ exhibition for a group show. That accounts for the delicate drawings of life-size show dogs in the first gallery, the disquieting portraits of an anonymous man in the second gallery, and the ghostly abstractions in the third — which appear to have been made by like-minded collaborators or a lone artist who doesn’t trust her first impulses and is even more suspicious of what happens with second looks, second thoughts, second guesses.
Something similar takes shape when you spend a little quality time with Peers’ paintings. The longer you look, the more her apparently disparate series, styles and subjects seem to be cut from the same cloth — not in a way that highlights the artist’s unique touch or creative genius, but in a way that strips things down to the basics, in which a humbling sense of attentiveness holds everything together, barely and precariously.
Neither egotistical nor self-impressed, Peers’ paintings on canvas and paper open onto a world too elusive to be tied to a signature style and all the more potent when it is shared with strangers.
-David Pagel
October 26, 2012
Rosamund Felsen Gallery
Bergamot Station
2525 Michigan Ave # B5a,
Santa Monica, CA 90404
http://www.rosamundfelsen.com/
Monday, November 26, 2012
Edith Beaucage "Bidibidiba" at CB1 Gallery, Los Angeles, California
The girl with "je ne sais quoi"...is Bidibidiba!
Bidibidiba, Edith Beaucage’s second CB1 Gallery exhibition is a figure of speech for love, pleasure, sentimentality, and fun...this is Bidibidiba! Bidibidiba is where characters are built with painting activation in mind. Multicolored brush strokes are used to build abstractions that are part of the figure. The imagery is built with paint that reverts the figure/ground conversation to a figure/figure construction by building what used to be "ground" onto the same plane as the figure so they can interact.
Edith Beaucage’s exhibition Bidibidiba consists of “idealistically” bound portraits of diverse characters including girls and philosophers, art students (both fictional and real), hipsters with mustaches, Egyptian girls, princesses, knights, dragons, musketeers, wigged women, bearded men, and dandies. They are sometimes in conversations or simply doing their jobs of being portraits and holding the paint together.
Bidibidiba, is the title song of the 1970 movie “L’ Homme Orchestre” (“The Orchestra Men”) with French comedian Louis De Funes. Specifically, the Bidibidiba dance within this comedy had the effect of molding a desire in the Beaucage for a modern and colorful life. Bidibidiba is light, entertaining, new, and full of sentimentality. Also influencing the artist is Roland Barthes who wrote Le Plaisir Du Texte (The Pleasure of the Text), a book he was hoping would influence other thinkers, philosophers and researchers to consider pleasure within the critical discourse. In a 1973 interview, Roland Barthes talks about his book and explains very simply that the notion of pleasure is on “the right”, attempting to convince his friends on “the left” that pleasure should not be dismissed and actually included into criticality. He later took on the subject of love in the same manner in 1977 with his book Fragments d’un Discours Amoureux (A Lovers Discourse).
Born in Canada, Edith Beaucage now lives and works in Los Angeles. She is a 2010 MFA graduate of Otis College of Art and Design, having studied at Palazzo Spinelli, Centro per L’arte e Il Restauro in Florence Italy and received her BA from Bishop’s University in Quebec, Canada. Her work is in many public and private collections including the collection of Creative Artists Agency, Los Angeles, CA.
CB1 Gallery
207 W. 5th Street
Los Angeles, CA 90013
213.806.7889
http://www.cb1gallery.com
Hours:
Wednesday through Saturday, 11:00 a.m. - 6:00 p.m.
Sunday, 1:00 p.m. - 6:00 p.m.
Or by appointment
Saturday, November 24, 2012
Friday, November 23, 2012
"Paint Can" a group show curated by Mike McLain. Pomona Packing Plant, Pomona, California
Experience what paint can do in the hands of 14 contemporary artists.
Tania Jazz Alvarez
Joshua Dildine
Clifford Eberly
Philip Espinoza
Kristin Frost
Steven Hampton
Scott Jamieson
Aragna Ker
Mihyang Kim
Phil Kim
Eric Lue
Julie Orr
Gabriel Luis Perez
Seth Pringle
Tania Jazz Alvarez
Joshua Dildine
Clifford Eberly
Philip Espinoza
Kristin Frost
Steven Hampton
Scott Jamieson
Aragna Ker
Mihyang Kim
Phil Kim
Eric Lue
Julie Orr
Gabriel Luis Perez
Seth Pringle
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