Sunday, July 23, 2017
First exhibited in 2015 at Barlowʼs solo exhibition ‘tryst’ at the Nasher Sculpture Center, Dallas, ‘untitled: 100banners2015’ is a dense installation comprized of clashing, brightly colored fabric banners, draped haphazardly across unwieldy, painted timber flagpoles anchored with sand bags. The banners are placed so close to one another so as to make it impossible to pass through. Barlow, nevertheless, invites the viewer to navigate the sculptureʼs sprawling territory. As typical symbols of power and patriotism, banners mark territory, pledge allegiance, protest and parade; they are the standard markers of war and demonstrations. Yet Barlow deprives them of their proclamations: each banner is unadorned. Disassociated from their traditional function, they simply become vibrant fabric stretched across wooden poles. Potential remains, nonetheless, and although dormant they are primed for reactivation.
Curated by New York-based curator Gianni Jetzer, Unlimited is Art Basel’s pioneering exhibition platform for projects that transcend the classical art-show stand, including massive sculpture and paintings, video projections, large-scale installations, and live performances.
Phyllida Barlow: Untitled: 100banners2015, Art Basel 2017 Unlimited, June 13, 2017.
Tuesday, July 11, 2017
Each painting is populated with images and figures that convey pieces of memory. There is an "all over" approach where Plotke uses parts and fragments of old works and collages them onto the canvas. Like memories that each person has, the images are like puzzles in which nothing is linked by the connected images around it. Juxtapositions and contradictions are intentional, and the renderings are expressionistic in their approach to the figure, and very painterly the style.
Visually, the paintings are effective in connecting with the viewer a sense of visual delirium. The works convey a dream-like atmosphere where the works invite the viewer to explore and synthesize the images into a visual experience. Images collide, scramble, layer and impede in the space that the canvas posses. Despite the seemingly visual confusion, the figures in the works are doing recognizable acts such as drinking, eating and socializing. The all-overness of the canvas works in forcing the viewer to explore the image plane. Plotke masters this visual process. The exhibit is on view until July 30, 2017.
204 S Avenue 19
Los Angeles, CA 90031
Love Me, Build Me, Destroy Me: Three artists reflect on the sublime Sydney Croskery, Jennifer Gunlock, and Molly Segal Curated by Mari...
Josh Levine's recent sculpture is a menagerie of creatures who are creations of a mad scientist. Like the Island of Dr. Moreau, Levine c...
Born in 1977 in Prague, Daniel Pitin is part of a new generation of painters from Eastern Europe currently gaining wide recognition from bot...